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The paper proposes two strategies for thinking about the moving image in cinema: (1) emphasizing its intrinsic features that make it unique compared to other art forms, such as movement, change over time, visual information, and temporal structure; and (2) considering it as part of a larger cluster of qualities that interact with each other, including integration with sound, interplay with story, relationship with the viewer, and influence on other art forms. By examining these aspects, we can gain a deeper understanding of the moving image's nature and how it contributes to the overall experience of watching a film.
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art forms visual information temporal structure including integration moving image paper proposes intrinsic features unique compared larger cluster forms

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