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60 For an introduction to these debates, see the following: on unreliable narration, Gregory Currie, Image and Mind: Film, Philosophy, and Cognitive Science (New York: Cambridge University Press, 1995), 260-280; on interactive narration, Gaut, A Philosophy of Cinematic Art (New York: Cambridge University Press, 2003), 224-243; on (and against) imagination, Derek Matravers, Fiction and Understanding (New York: Oxford University Press, 2014), 146-157.
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